In this article I inquire into the interpretation of Kant’s philosophy provided by Theodor W. Adorno. In particular, I move from a few key concepts of his philosophy (dialectics, aesthetics, non-identity, transcendence, appearance, truth, hope, utopia) and attempt to show that such a conceptual constellation testifies to how much Adorno was theoretically indebted to the Critique of Pure Reason and the Critique of the Power of Judgment. Specifically, Kant’s conception of aesthetics and dialectics is crucial to Adorno’s conception of those same concepts and problems.
S. Marino (2017). Adorno über Kant und das Verhältnis von Ästhetik und Metaphysik. DEUTSCHE ZEITSCHRIFT FÜR PHILOSOPHIE, 65(1), 67-88 [10.1515/dzph-2017-0006].
Adorno über Kant und das Verhältnis von Ästhetik und Metaphysik
MARINO, STEFANO
2017
Abstract
In this article I inquire into the interpretation of Kant’s philosophy provided by Theodor W. Adorno. In particular, I move from a few key concepts of his philosophy (dialectics, aesthetics, non-identity, transcendence, appearance, truth, hope, utopia) and attempt to show that such a conceptual constellation testifies to how much Adorno was theoretically indebted to the Critique of Pure Reason and the Critique of the Power of Judgment. Specifically, Kant’s conception of aesthetics and dialectics is crucial to Adorno’s conception of those same concepts and problems.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
