Restricted movement. Dancing from Late Antiquity through the early Middle Ages

Analysis of various sources from Late Antiquity to the early Middle Ages, with a focus on texts by Church Fathers and conciliar norms intended to regulate the dancing practices, enables examination of the formation of Christian prejudice against dancing. A connection can be established between the choreia (choral dance) of the Ideal City described by Plato and the ideal of harmony that the early medieval Church attempted to impose as a form of social control. Such reflections, on dancing as well as on harmony – or the lack thereof – thus facilitate an in-depth reflection on the choreutic aspects of demonic possession.