Since the early 1990s, the ‘migration crisis’ has been high on Europe’s agenda and a main cause of concern for European citizens. In recent years, numerous activists and scholars have denounced how the militarisation of migration and border controls has been explicitly bound with notions of humanitarianism. As such, the current focus on both the securitarian and humanitarian sides of the phenomenon supports a more complex logic of threat and benevolence that allows for a security-humanitarian response. Assuming the launch of Mare Nostrum – the military-humanitarian operation in the Mediterranean targeted at both rescuing migrants and arresting smugglers – as a transformative moment in the communication strategies of Italy, this article examines the narratives produced by the Italian Navy during the operation, and how these invite us to witness them. Pivoting on the interrelated notions of ‘war imaginary’ and ‘emergency imaginary’, this article investigates how photographs and videos produced by Italian soldiers have contributed to represent the Mediterranean as a ‘humanitarian battlefield’. Thus, exploring the visual politics of Mare Nostrum within the broader framework of the new mediated warfare, it indicates how the bio-political imperative of managing lives is visually expressed through an aesthetic of trauma, where ‘war’ (on migrants) is represented both as an intimate experience of sorrow and as a public act of peacemaking.
Mare Nostrum: the visual politics of a military-humanitarian operation in the Mediterranean Sea
MUSARO', PIERLUIGI
2016
Abstract
Since the early 1990s, the ‘migration crisis’ has been high on Europe’s agenda and a main cause of concern for European citizens. In recent years, numerous activists and scholars have denounced how the militarisation of migration and border controls has been explicitly bound with notions of humanitarianism. As such, the current focus on both the securitarian and humanitarian sides of the phenomenon supports a more complex logic of threat and benevolence that allows for a security-humanitarian response. Assuming the launch of Mare Nostrum – the military-humanitarian operation in the Mediterranean targeted at both rescuing migrants and arresting smugglers – as a transformative moment in the communication strategies of Italy, this article examines the narratives produced by the Italian Navy during the operation, and how these invite us to witness them. Pivoting on the interrelated notions of ‘war imaginary’ and ‘emergency imaginary’, this article investigates how photographs and videos produced by Italian soldiers have contributed to represent the Mediterranean as a ‘humanitarian battlefield’. Thus, exploring the visual politics of Mare Nostrum within the broader framework of the new mediated warfare, it indicates how the bio-political imperative of managing lives is visually expressed through an aesthetic of trauma, where ‘war’ (on migrants) is represented both as an intimate experience of sorrow and as a public act of peacemaking.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
