From the seventeenth century to Boito, through Verdi’s revolution, the author sheds light on the mimesis/ reality articulations, on technical advances and the role of music publishing that have characterized the different relations between performing and figurative arts on the scenes of nineteenth-century opera theater.
Lo spazio scenico e la sua organizzazione nel teatro dell’Ottocento
PIGOZZI, MARINELLA
2015
Abstract
From the seventeenth century to Boito, through Verdi’s revolution, the author sheds light on the mimesis/ reality articulations, on technical advances and the role of music publishing that have characterized the different relations between performing and figurative arts on the scenes of nineteenth-century opera theater.File in questo prodotto:
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