Screens and banquets of the Renaissance: recreation and reinterpretation In the movies the banquets are reworked and adjusted to the appearances of the present, with different functions. If in The Private Life of Henry VIII (1933) and The Prince of Foxes (1949) they describe the heroes psychologies, in Les visiteurs du soir (1942) and Addio fratello crudele (1971) the set tables illustrate the atmospheres of the Renaissance and at the same time establish a social and esthetic relationship with the present of the shots.

Schermi e banchetti del Rinascimento: ricostruzione e rielaborazione

BRAGAGLIA, CRISTINA
2013

Abstract

Screens and banquets of the Renaissance: recreation and reinterpretation In the movies the banquets are reworked and adjusted to the appearances of the present, with different functions. If in The Private Life of Henry VIII (1933) and The Prince of Foxes (1949) they describe the heroes psychologies, in Les visiteurs du soir (1942) and Addio fratello crudele (1971) the set tables illustrate the atmospheres of the Renaissance and at the same time establish a social and esthetic relationship with the present of the shots.
2013
C. Bragaglia
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/397785
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