The intensification of production relocation has changed the geography of fashion and the relations between “made in” and national creativity. The possibility of creating fashion, i.e. of being recognized as “author countries,” is part of a process in which hierarchies and roles are being constantly renegotiated according to the contexts and players concerned.
Segre Reinach S (2011). National Identities and International Recognition. FASHION THEORY, 15(2), 267-272 [10.2752/175174111X12954359478889].
National Identities and International Recognition
SEGRE REINACH, SIMONA MARIA
2011
Abstract
The intensification of production relocation has changed the geography of fashion and the relations between “made in” and national creativity. The possibility of creating fashion, i.e. of being recognized as “author countries,” is part of a process in which hierarchies and roles are being constantly renegotiated according to the contexts and players concerned.File in questo prodotto:
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