The article provides an overview of Prison Theatre in Italy, an artistic form which in the past twenty years has gradually gained notoriety and prestige thanks to the work carried out by theatre directors such as Armando Punzo at the Carcere di Volterra or Fabio Cavalli at the Carcere di Rebibbia in Rome, who gave life to outstanding productiones and initiatives, and drew the attention of important movie directors. In several cases, Italian prisons have in fact become places of groundbreaking cultural production and experimentation. The authors trace an historical overview on Prison Theatre since its origins in the late 1980s, outline the most recent examples of inter-institutional cooperation between different areas of public administration and levels of government, and illustrate the protocols and coordination bodies promoted by national an local authorities, prisons and theatre operators. Finally, the need for more research and evaluation, as well as for the training of professoional profiles needed to work in prisons, are also considerered.
Antonio Taormina, Cristina Valenti (2013). Per una storia del teatro carcere in Italia. Reti, contesti e prospettive. ECONOMIA DELLA CULTURA, 4(XXIII), 441-453.
Per una storia del teatro carcere in Italia. Reti, contesti e prospettive
VALENTI, CRISTINA
2013
Abstract
The article provides an overview of Prison Theatre in Italy, an artistic form which in the past twenty years has gradually gained notoriety and prestige thanks to the work carried out by theatre directors such as Armando Punzo at the Carcere di Volterra or Fabio Cavalli at the Carcere di Rebibbia in Rome, who gave life to outstanding productiones and initiatives, and drew the attention of important movie directors. In several cases, Italian prisons have in fact become places of groundbreaking cultural production and experimentation. The authors trace an historical overview on Prison Theatre since its origins in the late 1980s, outline the most recent examples of inter-institutional cooperation between different areas of public administration and levels of government, and illustrate the protocols and coordination bodies promoted by national an local authorities, prisons and theatre operators. Finally, the need for more research and evaluation, as well as for the training of professoional profiles needed to work in prisons, are also considerered.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


