Notes upon aulodic nomoi, particularly the Apothetos and the Schoinion: the first one was probably so named after the claim of its supposed inventor, Clonas, to have made the larger public know a not (or not yet) widely-circulated melody, perhaps on the occasion of a great festival; the second one was perhaps so called because it resembled in some way the Grey Wagtail’s call (in Greek Schoiniōn or Schoiniklos), recognized by Greeks as a melody characterized by a well defined rhythm.

Ercoles, M. (2014). Notes on the Aulodic nomoi Apothetos and Schoinion. GREEK AND ROMAN MUSICAL STUDIES, 2, 177-183 [10.1163/22129758-12341257].

Notes on the Aulodic nomoi Apothetos and Schoinion

ERCOLES, MARCO
2014

Abstract

Notes upon aulodic nomoi, particularly the Apothetos and the Schoinion: the first one was probably so named after the claim of its supposed inventor, Clonas, to have made the larger public know a not (or not yet) widely-circulated melody, perhaps on the occasion of a great festival; the second one was perhaps so called because it resembled in some way the Grey Wagtail’s call (in Greek Schoiniōn or Schoiniklos), recognized by Greeks as a melody characterized by a well defined rhythm.
2014
Ercoles, M. (2014). Notes on the Aulodic nomoi Apothetos and Schoinion. GREEK AND ROMAN MUSICAL STUDIES, 2, 177-183 [10.1163/22129758-12341257].
Ercoles, M
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/250095
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