As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emotions trought movements. Recent studies focused on isolated dancers body part to study the capacity of dance movements to transmit emotions to the audience. Use of space in classical ballet is characterized by "fluid" body movements with large, open segments motion and changes in velocity with jumps, rotations, and a general perceived "lightness of the body" both from the dancer and from the people seeing at him/her. We studied the audience feelings and emotions elicited by these two very different style, using a noise free method (motion analysis graph and animated stick figure). Many unexpected characteristics and emotions were elicited with particular reference to gender issues.
A. Cicchella, K. Bianchini (2004). Characteristics of movement and emotions elicited by two different kind of dance. JOURNAL OF HUMAN KINETICS, 11, 59-67.
Characteristics of movement and emotions elicited by two different kind of dance
CICCHELLA, ANTONIO;
2004
Abstract
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emotions trought movements. Recent studies focused on isolated dancers body part to study the capacity of dance movements to transmit emotions to the audience. Use of space in classical ballet is characterized by "fluid" body movements with large, open segments motion and changes in velocity with jumps, rotations, and a general perceived "lightness of the body" both from the dancer and from the people seeing at him/her. We studied the audience feelings and emotions elicited by these two very different style, using a noise free method (motion analysis graph and animated stick figure). Many unexpected characteristics and emotions were elicited with particular reference to gender issues.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.