The Languages of Performance in British Romanticism includes a selection of unpublished essays written by Italian and international scholars established in the field, and is divided into four main sections: 1 Dramatic Theory and Practice 2 On the Romantic Stage: History, Arts, and Acting 3 Interaction of genres: from fiction to drama 4 Appendix: “The Romantic Debate on Theatre and Drama: a Selected Anthology” The book investigates the modalities through which Romantic drama came across and incorporated other genres like painting, performing arts, music, and the novel. The aim of the volume is to throw new light on this interaction and its extreme complexity and variety of forms and aspects.
L. M. Crisafulli, C. Pietropoli (2008). The Languages of Performance in British Romanticism. OXFORD : Peter Lang.
The Languages of Performance in British Romanticism
CRISAFULLI, LILLA MARIA;PIETROPOLI, CECILIA
2008
Abstract
The Languages of Performance in British Romanticism includes a selection of unpublished essays written by Italian and international scholars established in the field, and is divided into four main sections: 1 Dramatic Theory and Practice 2 On the Romantic Stage: History, Arts, and Acting 3 Interaction of genres: from fiction to drama 4 Appendix: “The Romantic Debate on Theatre and Drama: a Selected Anthology” The book investigates the modalities through which Romantic drama came across and incorporated other genres like painting, performing arts, music, and the novel. The aim of the volume is to throw new light on this interaction and its extreme complexity and variety of forms and aspects.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
