Two main aspects of the interaction among Greek, Lydian and Persian musical cultures are analyzed: firstly, the story of the Smyrnean poet Magnes is taken into account, as an example of political and ideological use of the musical language within the broader cultural and political development of a musical koiné common to all the Persian Empire; secondly, it is paid attention to the orchestic (an oklasma, as it seems likely) and musical performance of the Lydian Maidens at the Artemisia held in Ephesus.
Musica greca sulle coste lidie: tra Sardi, Smirne ed Efeso / Ercoles Marco. - ELETTRONICO. - (2012), pp. 1-12. (Intervento presentato al convegno III Annual Meeting of “MOISA: International Society for the Study of Greek and Roman Music and its Cultural Heritage”, 1-3 Ottobre 2009, Ravenna, Dipartimento di Storie e Metodi per la Conservazione dei Beni Culturali tenutosi a Ravenna nel 1-3 Ottobre 2009).
Musica greca sulle coste lidie: tra Sardi, Smirne ed Efeso
ERCOLES, MARCO
2012
Abstract
Two main aspects of the interaction among Greek, Lydian and Persian musical cultures are analyzed: firstly, the story of the Smyrnean poet Magnes is taken into account, as an example of political and ideological use of the musical language within the broader cultural and political development of a musical koiné common to all the Persian Empire; secondly, it is paid attention to the orchestic (an oklasma, as it seems likely) and musical performance of the Lydian Maidens at the Artemisia held in Ephesus.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
