Bacchyl. 29 M. is considered in the light of the myth of Orpheus as represented in archaic Lyric tradition (from Eumelus to Pindar) and a general proposal of reconstruction and interpretation is put forward. The second part of the contribution focuses on the image of Orpheus in the Classical age, in part. in Athens: the mythic singer becomes a historical Greek kitharode (like those represented on the Panathenaic amphoras), whose characterization changes according to the perspectives and the critical trends of poets, philosphers and historians.

M. Ercoles (2009). Orfeo apollineo (tra lirica greca arcaica e critica letteraria d'età classica). ANNALI ONLINE DELL'UNIVERSITÀ DI FERRARA. SEZIONE LETTERE, 4(2), 47-67.

Orfeo apollineo (tra lirica greca arcaica e critica letteraria d'età classica)

ERCOLES, MARCO
2009

Abstract

Bacchyl. 29 M. is considered in the light of the myth of Orpheus as represented in archaic Lyric tradition (from Eumelus to Pindar) and a general proposal of reconstruction and interpretation is put forward. The second part of the contribution focuses on the image of Orpheus in the Classical age, in part. in Athens: the mythic singer becomes a historical Greek kitharode (like those represented on the Panathenaic amphoras), whose characterization changes according to the perspectives and the critical trends of poets, philosphers and historians.
2009
M. Ercoles (2009). Orfeo apollineo (tra lirica greca arcaica e critica letteraria d'età classica). ANNALI ONLINE DELL'UNIVERSITÀ DI FERRARA. SEZIONE LETTERE, 4(2), 47-67.
M. Ercoles
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/133600
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