This article is divided into two parts: the first draws a brief outline of the history of Russian detective fiction up to the present day. The second part is devoted to the analysis of the «Fandorin cycle», a series of crime novels published from the end of the 1990 which opened a new season in Russian detective fiction. Under the baffling pseudonym of B.Akunin hides Grigorij Cchartišvili (born in 1956), a scholar author of a ponderous book on "The Writer and Suicide" (1999) and translator from Japanese of a number of novels and essays. The action covers a time span from 1876 to 1911 and takes place both in Russia and abroad. The protagonist of the novels is «an unlikely hybrid of Sherlock Holmes and a Japanese samurai […] [with] a distinctly Bondian feel». As the author declares on the back cover of his books, the Fandorin cycle contains «all the genres of the classical crime novel». It is a post-modern «literary bricolage of re-worked scenes, motifs, characters, and styles» taken from classical Russian and European literature which offers ample enjoyment for all kinds of readership.
G. Imposti (2012). ‘A bad person not without certain principles’: Russian Detective Fiction and B. Akunin,. LA QUESTIONE ROMANTICA, vol. 2, n. 2, 2010, 127-136.
‘A bad person not without certain principles’: Russian Detective Fiction and B. Akunin,
IMPOSTI, GABRIELLA ELINA
2012
Abstract
This article is divided into two parts: the first draws a brief outline of the history of Russian detective fiction up to the present day. The second part is devoted to the analysis of the «Fandorin cycle», a series of crime novels published from the end of the 1990 which opened a new season in Russian detective fiction. Under the baffling pseudonym of B.Akunin hides Grigorij Cchartišvili (born in 1956), a scholar author of a ponderous book on "The Writer and Suicide" (1999) and translator from Japanese of a number of novels and essays. The action covers a time span from 1876 to 1911 and takes place both in Russia and abroad. The protagonist of the novels is «an unlikely hybrid of Sherlock Holmes and a Japanese samurai […] [with] a distinctly Bondian feel». As the author declares on the back cover of his books, the Fandorin cycle contains «all the genres of the classical crime novel». It is a post-modern «literary bricolage of re-worked scenes, motifs, characters, and styles» taken from classical Russian and European literature which offers ample enjoyment for all kinds of readership.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.