The article reflects on the role of audiovisual media in contemporary educational contexts, arguing that it can no longer be considered merely a teaching tool, but rather the very environment in which experience, learning, and meaning-making take place. Building on the tradition of Media Education, audiovisual media are interpreted as a symbolic infrastructure and an epistemic device that shapes how the world is represented and understood. The discussion is structured around three main axes. First, the functions of audiovisual media, which act as mirror, space, bridge, and laboratory within educational processes, contributing to the construction of behaviors, the mediation of experience, and the production of knowledge. Second, the conditions for its teaching, which require adequate teacher training and an integrated approach based on three dimensions: teaching with media, about media, and for media. Third, the ethical and political implications of audiovisual media are examined, as they constitute a key site for the construction of social representations, shaped by ideologies and capable of both reproducing stereotypes and fostering inclusion. The article concludes by emphasizing the centrality of “gaze” as both an object and a tool of pedagogy: educating to audiovisual media means developing a critical capacity to interpret and produce images, which is essential for exercising informed citizenship in a media-saturated society.
Il contributo propone una riflessione sul ruolo dell’audiovisivo nei contesti educativi contemporanei, evidenziando come esso non sia più soltanto uno strumento didattico, ma costituisca l’ambiente stesso in cui si sviluppano esperienza, apprendimento e costruzione di significato. In continuità con la tradizione della Media Education, l’audiovisivo viene interpretato come infrastruttura simbolica e dispositivo epistemico, capace di modellare il modo in cui il mondo è rappresentato e pensato. Il testo organizza la discussione attorno a tre assi principali. In primo luogo, le funzioni dell’audiovisivo, che si configura come specchio, spazio, ponte e laboratorio nei processi educativi, contribuendo alla costruzione di comportamenti, alla mediazione dell’esperienza e alla produzione di conoscenza. In secondo luogo, le condizioni della sua didattica, che richiedono una formazione adeguata degli insegnanti e un approccio integrato fondato su tre dimensioni: insegnare con i media, i media e per i media. Infine, vengono analizzate le implicazioni etiche e politiche dell’audiovisivo, in quanto luogo di costruzione delle rappresentazioni sociali, attraversato da ideologie e potenzialmente orientato tanto alla riproduzione di stereotipi quanto alla promozione dell’inclusione. Il testo si conclude sottolineando la centralità dello “sguardo” come oggetto e strumento pedagogico: educare all’audiovisivo significa formare una capacità critica di lettura e produzione delle immagini, indispensabile per l’esercizio di una cittadinanza consapevole in una società dominata dai media.
Rivoltella, P.C. (2025). Abitare l'audiovisivo. Linguaggio, ambiente, pratica. SCHOLÉ, 2, 3-6.
Abitare l'audiovisivo. Linguaggio, ambiente, pratica
Pier Cesare Rivoltella
2025
Abstract
The article reflects on the role of audiovisual media in contemporary educational contexts, arguing that it can no longer be considered merely a teaching tool, but rather the very environment in which experience, learning, and meaning-making take place. Building on the tradition of Media Education, audiovisual media are interpreted as a symbolic infrastructure and an epistemic device that shapes how the world is represented and understood. The discussion is structured around three main axes. First, the functions of audiovisual media, which act as mirror, space, bridge, and laboratory within educational processes, contributing to the construction of behaviors, the mediation of experience, and the production of knowledge. Second, the conditions for its teaching, which require adequate teacher training and an integrated approach based on three dimensions: teaching with media, about media, and for media. Third, the ethical and political implications of audiovisual media are examined, as they constitute a key site for the construction of social representations, shaped by ideologies and capable of both reproducing stereotypes and fostering inclusion. The article concludes by emphasizing the centrality of “gaze” as both an object and a tool of pedagogy: educating to audiovisual media means developing a critical capacity to interpret and produce images, which is essential for exercising informed citizenship in a media-saturated society.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



