Farsi paesaggio. Leggere la prosa fotoletteraria di Sabrina Ragucci accanto ad Antonella Anedda, Ingeborg Bachmann, Elizabeth Bishop, Anne Carson e Alix Cléo Roubaud.

In Sabrina Ragucci’s most recent photo-literary and iconotextual prose, the female characters arrange themselves within the photographic and narrative diegeses, even stepping aside when they speak in the first-person singular. This is a process of progressive immersion in the landscape that is both sublime and documentary. In this article, we will explore how this ‘stepping aside’ manifests in Ragucci’s recent publications, including Nostro tempo animale (2022), La chiave di Miriam (2022), Camera galleggiante (2023), Miss G (2024), and Giochi d’acqua (2025), alongside internal cross-references to the works of authors and artists such as Antonella Anedda, Anne Carson, Ingeborg Bachmann, Elisabeth Bishop, and Alix Cléo Roubaud.