The Italian Secondary School has recently experienced a period of forced and constrained planning hyperactivity, the result of the effects of Next Generation Europe, which has imposed milestones and performance contracts on School Managers. The strictness of the constraints and the parallelized proliferation of actions, due to the hypertrophy of policy documents, has however sterilised experimentation. The educational policy outlined appears to be unbalanced on technology, if not technocracy, with the humanities often confined within individual remedial intervention, with an idea of humanistic knowledge as instrumental and ancillary to technical knowledge. La scena che educa, a model of reflective community and the first theatre network between schools in Italy, born before this period and grown in the folds of co-designs, can represent an experimental model of pedagogical thinking that hybridises different technical, professional and humanistic knowledge, thanks to theatre's natural tendency to be an integrating background.
La Scuola Secondaria di Secondo Grado italiana ha vissuto ultimamente una fase di iperattività progettuale forzata e contingentata, figlia degli effetti del Next Generation Europe, che ha imposto ai Dirigenti Scolastici milestones e contratti di performance. La rigidità dei vincoli e la proliferazione in parallelo delle azioni, a causa dell’ipertrofia dei documenti di indirizzo, ha però sterilizzato le sperimentazioni. La politica educativa tracciata appare sbilanciata sulla tecnologia, se non sulla tecnocrazia, con le scienze umane confinate spesso dentro l’intervento individuale riparativo, con un’idea del sapere umanistico strumentale e ancillare rispetto alla conoscenza tecnica. La scena che educa, modello di comunità riflessiva e prima rete teatrale tra scuole in Italia, nata prima di questa fase e cresciuta nelle pieghe delle co-progettazioni, può costituire un modello sperimentale di pensiero pedagogico che ibrida saperi tecnici, professionali e umanistici diversi, grazie alla naturale propensione del teatro ad essere sfondo integratore.
Tracà, C. (2025). Reflective Communities 'Tempest': A Space To Be Invented in the School of Performance = Comunità riflessive tempesta: Uno spazio da inventare nella Scuola della Performance. FORMAZIONE & INSEGNAMENTO, 23(S1), 34-40 [10.7346/-feis-XXIII-01-25_06].
Reflective Communities 'Tempest': A Space To Be Invented in the School of Performance = Comunità riflessive tempesta: Uno spazio da inventare nella Scuola della Performance
Cristian Tracà
Primo
2025
Abstract
The Italian Secondary School has recently experienced a period of forced and constrained planning hyperactivity, the result of the effects of Next Generation Europe, which has imposed milestones and performance contracts on School Managers. The strictness of the constraints and the parallelized proliferation of actions, due to the hypertrophy of policy documents, has however sterilised experimentation. The educational policy outlined appears to be unbalanced on technology, if not technocracy, with the humanities often confined within individual remedial intervention, with an idea of humanistic knowledge as instrumental and ancillary to technical knowledge. La scena che educa, a model of reflective community and the first theatre network between schools in Italy, born before this period and grown in the folds of co-designs, can represent an experimental model of pedagogical thinking that hybridises different technical, professional and humanistic knowledge, thanks to theatre's natural tendency to be an integrating background.| File | Dimensione | Formato | |
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