This article explores the representation of justice in Italian cinema, characterizing it as a "theatre of the ephemeral". Unlike the American legal drama, Italian films often depict the judicial process as a grotesque farce or a futile spectacle where truth remains elusive. Through the analysis of key works by directors such as Ettore Scola, Dino Risi, and Marco Bellocchio, the study examines how cinema reflects a profound disillusionment with the legal system. From the cynical archetypes of the commedia all'italiana to the operatic deconstruction of real-life trials like the Maxiprocesso, Italian cinema exposes justice as a fragile, theatrical construction deeply rooted in social hypocrisy.

Gheller, E.L. (2020). Théâtre de l’éphémère. Le thème de la justice dans le cinéma italien. POSITIF, 712, 100-102.

Théâtre de l’éphémère. Le thème de la justice dans le cinéma italien

Enrico Livio Gheller
2020

Abstract

This article explores the representation of justice in Italian cinema, characterizing it as a "theatre of the ephemeral". Unlike the American legal drama, Italian films often depict the judicial process as a grotesque farce or a futile spectacle where truth remains elusive. Through the analysis of key works by directors such as Ettore Scola, Dino Risi, and Marco Bellocchio, the study examines how cinema reflects a profound disillusionment with the legal system. From the cynical archetypes of the commedia all'italiana to the operatic deconstruction of real-life trials like the Maxiprocesso, Italian cinema exposes justice as a fragile, theatrical construction deeply rooted in social hypocrisy.
2020
Gheller, E.L. (2020). Théâtre de l’éphémère. Le thème de la justice dans le cinéma italien. POSITIF, 712, 100-102.
Gheller, Enrico Livio
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/1032890
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