This paper describes the design and creation of an electronically augmented replica of a historical harpsichord keyboard with a typical 17th-century Italian layout to create a digital musical instrument. The keyboard was commissioned for exhibition in a musical instrument museum to enhance the visitor experience by providing an interface to digitised versions of instruments within the collection. The replica balances the competing de- mands of historical authenticity, public accessibility, and preser- vation. It replicates the original instrument’s tactile feedback and mechanical resistance using historically informed construction techniques. Optical sensors integrated within the mechanism capture the jacks’ motion data, enabling MIDI message gener- ation. This work situates itself within broader discussions on the role of technology in museums. A keyboard interface of this type o￿ers an opportunity to enhance visitor interaction with musical heritage while safeguarding delicate artefacts. The paper examines the keyboard’s design principles, technical implemen- tation, and implications, emphasising its contribution to public engagement and the long-term preservation of musical heritage

Hamilton, M., Ducceschi, M., Livi, R., Vincens, C., Mcpherson, A. (2025). Augmentation of a Historical Harpsichord Keyboard Replica for Haptic-Enabled Interaction in Museum Exhibitions [10.5281/zenodo.15698916].

Augmentation of a Historical Harpsichord Keyboard Replica for Haptic-Enabled Interaction in Museum Exhibitions

Matthew Hamilton;Michele Ducceschi;
2025

Abstract

This paper describes the design and creation of an electronically augmented replica of a historical harpsichord keyboard with a typical 17th-century Italian layout to create a digital musical instrument. The keyboard was commissioned for exhibition in a musical instrument museum to enhance the visitor experience by providing an interface to digitised versions of instruments within the collection. The replica balances the competing de- mands of historical authenticity, public accessibility, and preser- vation. It replicates the original instrument’s tactile feedback and mechanical resistance using historically informed construction techniques. Optical sensors integrated within the mechanism capture the jacks’ motion data, enabling MIDI message gener- ation. This work situates itself within broader discussions on the role of technology in museums. A keyboard interface of this type o￿ers an opportunity to enhance visitor interaction with musical heritage while safeguarding delicate artefacts. The paper examines the keyboard’s design principles, technical implemen- tation, and implications, emphasising its contribution to public engagement and the long-term preservation of musical heritage
2025
Proceedings of the International Conference on New Interfaces for Musical Expression,(Canberra, Australia)
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Hamilton, M., Ducceschi, M., Livi, R., Vincens, C., Mcpherson, A. (2025). Augmentation of a Historical Harpsichord Keyboard Replica for Haptic-Enabled Interaction in Museum Exhibitions [10.5281/zenodo.15698916].
Hamilton, Matthew; Ducceschi, Michele; Livi, Roberto; Vincens, Catalina; Mcpherson, Andrew
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/1022857
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