Two different paintings, one copied from the other more than a century later, show the same composition. The subject is unespectedly different. One is a sacred allegory, the other a profane heroine. Both these paintings, however, represent a wider tradition of depictions of a woman in the same pose: from time to time a saint, a heroine, an allegory. The contrast between Sacred and Profane is only apparent, because the real subject is hidden between ecstasy and aesthetics: a possible way to eternity

Gigante, L. (2019). Estetiche, estatiche, ero(t)iche. Mezzibusti veneziani tra Sacro e Profano. OFFICINA, 27, 64-67.

Estetiche, estatiche, ero(t)iche. Mezzibusti veneziani tra Sacro e Profano

Lorenzo Gigante
2019

Abstract

Two different paintings, one copied from the other more than a century later, show the same composition. The subject is unespectedly different. One is a sacred allegory, the other a profane heroine. Both these paintings, however, represent a wider tradition of depictions of a woman in the same pose: from time to time a saint, a heroine, an allegory. The contrast between Sacred and Profane is only apparent, because the real subject is hidden between ecstasy and aesthetics: a possible way to eternity
2019
Gigante, L. (2019). Estetiche, estatiche, ero(t)iche. Mezzibusti veneziani tra Sacro e Profano. OFFICINA, 27, 64-67.
Gigante, Lorenzo
File in questo prodotto:
Eventuali allegati, non sono esposti

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/1013039
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact