This essay aims to analyse three recent Italian poetry books (Alessandra Carnaroli’s Ex voto, 2017; Fabio Orecchini’s Figura, 2019; Andrea Inglese’s Ollivud, 2018) as case studies in order to show the application of several visual art practices to poetic texts, both on a thematic and stylistic level. The relation between contemporary Italian poetry and visual culture will be explored involving both some literary criticism theories and some fun-damental assumptions related to Bildwissenschaft and visual culture studies.
Ciaco, M. (2019). Poesia contemporanea e cultura visuale. Pratiche visuali, sguardo e dispositivi nella poesia italiana recente. LEA, 8, 339-352.
Poesia contemporanea e cultura visuale. Pratiche visuali, sguardo e dispositivi nella poesia italiana recente
Marilina Ciaco
2019
Abstract
This essay aims to analyse three recent Italian poetry books (Alessandra Carnaroli’s Ex voto, 2017; Fabio Orecchini’s Figura, 2019; Andrea Inglese’s Ollivud, 2018) as case studies in order to show the application of several visual art practices to poetic texts, both on a thematic and stylistic level. The relation between contemporary Italian poetry and visual culture will be explored involving both some literary criticism theories and some fun-damental assumptions related to Bildwissenschaft and visual culture studies.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
