The text explores the evolution of memorial architecture post-World War II, focusing on its role in commemorating victims of political and racial deportation. It argues that architecture must transcend tradi- tional formalism, becoming a reflection of collective experiences and processes shaped by historical traumas. Central to this discussion is the notion of “bare life,” as defined by Giorgio Agamben, highlighting the loss of individuality and humanity in concentration camps, where victims were stripped of identity and agency. Memorial architecture faces unique challenges, as it must confront the unspeakability of the victims’ experiences while also serving as a mor- al obligation to remember those silenced. The author emphasizes the need for architecture to facilitate a personal, embodied engagement with memory, transforming the act of visiting into an active reflection on the past. This shift from static monuments to dynamic memorials allows visitors to connect physically and emotionally with the history, bridging the gap between the past and present. Ultimately, the text advocates for an architecture that honours anonym- ity and collective suffering, seeking to reconstruct a sense of place and identity for victims through thoughtful design that encourages personal interpretation and reflection.
Leoni, G. (2023). Remembering (with) the Body. Form and Experience in Post-war Memorial Architecture Dedicated to Political and Racial Deportation. HISTORIES OF POSTWAR ARCHITECTURE, VI(13), 376-390 [10.6092/issn.2611-0075/20356].
Remembering (with) the Body. Form and Experience in Post-war Memorial Architecture Dedicated to Political and Racial Deportation
Giovanni Leoni
2023
Abstract
The text explores the evolution of memorial architecture post-World War II, focusing on its role in commemorating victims of political and racial deportation. It argues that architecture must transcend tradi- tional formalism, becoming a reflection of collective experiences and processes shaped by historical traumas. Central to this discussion is the notion of “bare life,” as defined by Giorgio Agamben, highlighting the loss of individuality and humanity in concentration camps, where victims were stripped of identity and agency. Memorial architecture faces unique challenges, as it must confront the unspeakability of the victims’ experiences while also serving as a mor- al obligation to remember those silenced. The author emphasizes the need for architecture to facilitate a personal, embodied engagement with memory, transforming the act of visiting into an active reflection on the past. This shift from static monuments to dynamic memorials allows visitors to connect physically and emotionally with the history, bridging the gap between the past and present. Ultimately, the text advocates for an architecture that honours anonym- ity and collective suffering, seeking to reconstruct a sense of place and identity for victims through thoughtful design that encourages personal interpretation and reflection.| File | Dimensione | Formato | |
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Architecture War Peace LEONIlow.pdf
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