This paper delves into the frescoes of four prominent artists from the Florentine region during the Renaissance, meticulously analyzing their historical context, artistic techniques, painting methods, and underlying meanings. The study commences with an examination of the oeuvre of Andrea del Castagno (1421-1457), whose paintings are characterized by distinctive compositional and chromatic approaches that laid the groundwork for the thematic expression. Subsequently, the paper shifts its focus to Domenico Ghirlandaio (1449-1494), who introduced innovations by incorporating additional elements such as food and background details, thereby enriching the connotations and dramatic intensity of his works. The third artist, Pietro Perugino (1445-1523), is noted for his creative adaptations of classical styles, manifesting through the design of frames and layout, which imbue his works with a distinctive character and a closer connection to everyday life. Finally, the frescoes of Andrea del Sarto (1486-1530) are distinguished by their refined layout and dramatic visual effects. This paper not only showcases the individual interpretations and representations of the theme "The Last Supper" by these artists but also reflects their exploration and development of unique artistic expressions on the foundation of tradition. From classical motifs to profound meanings and spiritual inquiry, these artists progressively deepened their understanding of the Renaissance spirit, thereby enriching the artistic manifestations of the theme "The Last Supper," leaving behind a valuable artistic legacy for posterity.
Ji Rui (2020). Analyze the "Story" behind "The Last Supper" in the Florentine Region during the Renaissance(剖析文艺复兴时期佛罗伦萨地区“最后的晚餐”背后的“故事”). Pechino : China Nationality Culture Foundation (CNCF).
Analyze the "Story" behind "The Last Supper" in the Florentine Region during the Renaissance(剖析文艺复兴时期佛罗伦萨地区“最后的晚餐”背后的“故事”)
Ji Rui
2020
Abstract
This paper delves into the frescoes of four prominent artists from the Florentine region during the Renaissance, meticulously analyzing their historical context, artistic techniques, painting methods, and underlying meanings. The study commences with an examination of the oeuvre of Andrea del Castagno (1421-1457), whose paintings are characterized by distinctive compositional and chromatic approaches that laid the groundwork for the thematic expression. Subsequently, the paper shifts its focus to Domenico Ghirlandaio (1449-1494), who introduced innovations by incorporating additional elements such as food and background details, thereby enriching the connotations and dramatic intensity of his works. The third artist, Pietro Perugino (1445-1523), is noted for his creative adaptations of classical styles, manifesting through the design of frames and layout, which imbue his works with a distinctive character and a closer connection to everyday life. Finally, the frescoes of Andrea del Sarto (1486-1530) are distinguished by their refined layout and dramatic visual effects. This paper not only showcases the individual interpretations and representations of the theme "The Last Supper" by these artists but also reflects their exploration and development of unique artistic expressions on the foundation of tradition. From classical motifs to profound meanings and spiritual inquiry, these artists progressively deepened their understanding of the Renaissance spirit, thereby enriching the artistic manifestations of the theme "The Last Supper," leaving behind a valuable artistic legacy for posterity.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


