This essay investigates the numerous aspects that cinema derives from its photographic basis. Amomg many others, it investigates not only the Bazinian "mummy complex", but also the Bazinian "Nero complex", as well as the impact that filmic images have on the viewer. An impact further amplified by the advent of digital technologies, because the added value of their genesis (real, presumed) will always be more effective than the quality of the result.
E. Dagrada (2007). La seduzione del vero. Genesi e risultato nella base fotografica dell’immagine filmica. MILANO : Il Castoro.
La seduzione del vero. Genesi e risultato nella base fotografica dell’immagine filmica
E. Dagrada
2007
Abstract
This essay investigates the numerous aspects that cinema derives from its photographic basis. Amomg many others, it investigates not only the Bazinian "mummy complex", but also the Bazinian "Nero complex", as well as the impact that filmic images have on the viewer. An impact further amplified by the advent of digital technologies, because the added value of their genesis (real, presumed) will always be more effective than the quality of the result.File in questo prodotto:
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