Even though written messages are often regarded as being equivalents of, or rather substitutes for conventional intertitles, there is an important difference between both: lettres, notes, newspaper articles etc., on top of conveying narrative information to the viewer, can also function as material objects within the diegetic world. After an analysis of the fundamental differences between intertitles and written messages, the authors discuss several examples from different film genres in order to show in what ways the latter can be used as specific and powerful narrative devices.

E. Dagrada, F. Kessler (2013). Stille Post. Der Brief im frühen Film (1908-1914). Trier : Wissenschaftlicher Verlag Trier.

Stille Post. Der Brief im frühen Film (1908-1914)

E. Dagrada;
2013

Abstract

Even though written messages are often regarded as being equivalents of, or rather substitutes for conventional intertitles, there is an important difference between both: lettres, notes, newspaper articles etc., on top of conveying narrative information to the viewer, can also function as material objects within the diegetic world. After an analysis of the fundamental differences between intertitles and written messages, the authors discuss several examples from different film genres in order to show in what ways the latter can be used as specific and powerful narrative devices.
2013
Scriptura cinematographica. Texttheorie der Schrift in audiovisuellen Medien
25
35
E. Dagrada, F. Kessler (2013). Stille Post. Der Brief im frühen Film (1908-1914). Trier : Wissenschaftlicher Verlag Trier.
E. Dagrada; F. Kessler
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/964188
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