Starting from the advisory notice to the notes of the fourth "disegno milanese" titled "Quattro figlie ebbe e ciascuna regina", in the collection "L'Adalgisa. Disegni milanesi" by Carlo Emilio Gadda, my essay investigates the nature and role of the narrator in "L'Adalgisa" and his relationship with his characters and the world narrated. The investigation is carried out by taking as a guiding light the critical-interpretative category of satire, drawing in particular from Fredric V. Bogel's theoretical considerations on satire included in "The Difference Satire Makes" (2001).
«Quasicché a propria volta l'autore si tuffi». Voce narrante e satira nell'«Adalgisa» / Luca Mazzocchi. - STAMPA. - (2022), pp. 135-157.
«Quasicché a propria volta l'autore si tuffi». Voce narrante e satira nell'«Adalgisa»
Luca Mazzocchi
2022
Abstract
Starting from the advisory notice to the notes of the fourth "disegno milanese" titled "Quattro figlie ebbe e ciascuna regina", in the collection "L'Adalgisa. Disegni milanesi" by Carlo Emilio Gadda, my essay investigates the nature and role of the narrator in "L'Adalgisa" and his relationship with his characters and the world narrated. The investigation is carried out by taking as a guiding light the critical-interpretative category of satire, drawing in particular from Fredric V. Bogel's theoretical considerations on satire included in "The Difference Satire Makes" (2001).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
