Death of the One Who Knows—or, as the original French title, Quand un poète disparaît, more aptly suggests—is a beautiful ethnographic and nearly lyrical meditation around loss. In this powerful documentary, ethnomusicologist Dana Rappoport masterfully attends to the intricacies of our experience with loss, understood here both as an existential event (i.e., the severing of intimate intersubjective entanglements ensuing from an individual’s death) and as a collective and systemic phenomenon (i.e., the structural displacement and social discontents emerging from processes of cultural and linguistic shift).
Donzelli, A. (2023). On the ethnographic antonyms of loss and change: Review of Death of the One Who Knows. RELIGION AND SOCIETY, 14(1), 217-218 [10.3167/arrs.2023.140115].
On the ethnographic antonyms of loss and change: Review of Death of the One Who Knows
Donzelli, AuroraPrimo
2023
Abstract
Death of the One Who Knows—or, as the original French title, Quand un poète disparaît, more aptly suggests—is a beautiful ethnographic and nearly lyrical meditation around loss. In this powerful documentary, ethnomusicologist Dana Rappoport masterfully attends to the intricacies of our experience with loss, understood here both as an existential event (i.e., the severing of intimate intersubjective entanglements ensuing from an individual’s death) and as a collective and systemic phenomenon (i.e., the structural displacement and social discontents emerging from processes of cultural and linguistic shift).File | Dimensione | Formato | |
---|---|---|---|
Donzelli_review_of_rappoport_2024 copy.pdf
accesso aperto
Tipo:
Versione (PDF) editoriale / Version Of Record
Licenza:
Licenza per Accesso Aperto. Creative Commons Attribuzione (CCBY)
Dimensione
87.39 kB
Formato
Adobe PDF
|
87.39 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.