How positive or negative did the distant future appear to creative writers in Italy and France around the time of the Industrial Revolution? As a counterpoint to quantitative extrapolations in reports by the likes of the Intergovernmental Panel on Climate Change, this chapter advances a qualitative perspective within cultural geography and affective history regarding epoch-making developments five generations ago. I am concerned with two pieces of anticipatory fiction from the mid-1800s that have never been analysed together despite a number of commonalities: Agostino della Sala Spada’s enthusiastic view looking ahead two centuries from 1874, and Émile Souvestre’s cynical perspective extending more than a thousand years from 1846. Six topics guide my close readings of paired extracts from the exploits of Saturnino Saturnini, Maurice, and Marthe: aerial colonization, copy culture, domestic automation, industrial infrastructures, dietary homogenization, and mass machining. In examining similarities and contrasts between depictions surfacing from Italy in its early years as a nation-state and France towards the end of a monarchical order, I remain mindful of the thorny question of societies being shaped by free-market ideologies and trickle-down economics that have been touted as compatible with a sustainable future for our planet.
Finch-Race, D.A. (2023). Industrial Wonders and Pitfalls in Agostino della Sala Spada's 'Nel 2073!' and Émile Souvestre's 'Le monde tel qu'il sera en l'an 3000'. Liverpool : Liverpool University Press.
Industrial Wonders and Pitfalls in Agostino della Sala Spada's 'Nel 2073!' and Émile Souvestre's 'Le monde tel qu'il sera en l'an 3000'
Finch-Race, Daniel A.
Primo
Writing – Original Draft Preparation
2023
Abstract
How positive or negative did the distant future appear to creative writers in Italy and France around the time of the Industrial Revolution? As a counterpoint to quantitative extrapolations in reports by the likes of the Intergovernmental Panel on Climate Change, this chapter advances a qualitative perspective within cultural geography and affective history regarding epoch-making developments five generations ago. I am concerned with two pieces of anticipatory fiction from the mid-1800s that have never been analysed together despite a number of commonalities: Agostino della Sala Spada’s enthusiastic view looking ahead two centuries from 1874, and Émile Souvestre’s cynical perspective extending more than a thousand years from 1846. Six topics guide my close readings of paired extracts from the exploits of Saturnino Saturnini, Maurice, and Marthe: aerial colonization, copy culture, domestic automation, industrial infrastructures, dietary homogenization, and mass machining. In examining similarities and contrasts between depictions surfacing from Italy in its early years as a nation-state and France towards the end of a monarchical order, I remain mindful of the thorny question of societies being shaped by free-market ideologies and trickle-down economics that have been touted as compatible with a sustainable future for our planet.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.