Tištriia, corresponding to Sirius, was the most important single star of the Iranian celestial mythology This divinity was the protagonist of the myth of the liberation of the waters, in which this god fights not only against a terrestrial demon, Apaōša, who blocks the cosmic waters inside a cosmic ocean, but also against the shooting stars, more precisely the “starred-worms” (stārō.kərəmā̊), who were sent by Aŋra Mainiiu against the celestial order. In Zoroastrianism the orderly motion of the fixed stars was associated with the regular course of the natural cycle and with the autumnal return of rains, while the manifestation of shooting stars, also referred to with the name of Pairikā-s, i.e., “witches”, was considered as a clear brake of the cosmic order. The negative role played by the shooting stars was later transferred to the planetary bodies within the Zoroastrian Pahlavi literature. If Tištriia was compared with an arrow, the Vedic god Tiṣya was associated with an archer, while Sirius, in Mesopotamian astronomy, was described as an “arrow”. One can also notice that in later Egypt the god Sirius (Sōthis) seems to have been the target of the arrow shot by the goddess Sathis, while in China, the celestial Emperor shot an arrow against “the Wolf of the Heaven”, i.e., Sirius, Tīan láng;(天狼). This star is close to the quadrant of the constellation of the “Bow and the Arrow” (弧矢 Húshǐ). Thus, the Iranian iconography of the star Sirius was involved in a large net of heavenly images referring to asterisms describing an arrow and a bow. The same etymology of the name of Tištriia-, Sirius (α Canis Majoris), probably linguistically related with Vedic Tiṣya-, comes from *ti-str-ii̯a-s < *tri-str-ii̯a-s < *tri-str-ii̯o-s. This form was built on *tri-str-(o-m) “group of three stars”, i.e., to the “Orion’s Belt” (= δ ε ζ Orionis), which in Indian mythology was a special arrow called iṣus trikāṇdā, “the arrow with three knots”, shot by Tiṣya (or Rudra) against Prajāpati . Tištriia, corresponding to Sirius, was the most important single star of the Iranian celestial mythology This divinity was the protagonist of the myth of the liberation of the waters, in which this god fights not only against a terrestrial demon, Apaōša, who blocks the cosmic waters inside a cosmic ocean, but also against the shooting stars, more precisely the “starred-worms” (stārō.kərəmā̊), who were sent by Aŋra Mainiiu against the celestial order. In Zoroastrianism the orderly motion of the fixed stars was associated with the regular course of the natural cycle and with the autumnal return of rains, while the manifestation of shooting stars, also referred to with the name of Pairikā-s, i.e., “witches”, was considered as a clear brake of the cosmic order. The negative role played by the shooting stars was later transferred to the planetary bodies within the Zoroastrian Pahlavi literature. If Tištriia was compared with an arrow, the Vedic god Tiṣya was associated with an archer, while Sirius, in Mesopotamian astronomy, was described as an “arrow”. One can also notice that in later Egypt the god Sirius (Sōthis) seems to have been the target of the arrow shot by the goddess Sathis, while in China, the celestial Emperor shot an arrow against “the Wolf of the Heaven”, i.e., Sirius, Tīan láng;(天狼). This star is close to the quadrant of the constellation of the “Bow and the Arrow” (弧矢 Húshǐ). Thus, the Iranian iconography of the star Sirius was involved in a large net of heavenly images referring to asterisms describing an arrow and a bow. The same etymology of the name of Tištriia-, Sirius (α Canis Majoris), probably linguistically related with Vedic Tiṣya-, comes from *ti-str-ii̯a-s < *tri-str-ii̯a-s < *tri-str-ii̯o-s. This form was built on *tri-str-(o-m) “group of three stars”, i.e., to the “Orion’s Belt” (= δ ε ζ Orionis), which in Indian mythology was a special arrow called iṣus trikāṇdā, “the arrow with three knots”, shot by Tiṣya (or Rudra) against Prajāpati . On this subject, see: Panaino, Antonio (1990), Tištrya. I. The Avestan Hymn to Sirius (Roma; IsMEO). Panaino, Antonio (1995), Tištrya. II. The Iranian Myth of the Star Sirius (Roma, IsMEO). Panaino, Antonio (2015),’The Classification of Astral Bodies in the framework of an Historical Survey of Iranian traditions”, in Uwe Bläsing, Victoria Arakelova and Matthias Weinreich, eds., Studies on Iran and The Caucasus, Festschrift presented to Prof. Dr. Garnik S. Asatrian on the Occasion of his 60th Birthday (Leiden: Brill), 229–244. Panaino, Antonio (2016), ‘Planets,’ in Encyclopædia Iranica, online edition, available at http://www.iranicaonline.org/articles/planets (accessed on 20 September 2016). Panaino, Antonio (2019), A Walk through the Iranian Heavens. Spherical and Non-Spherical Cosmographic Models in the Imagination of Ancient Iran and Its Neighbours (Irvine: Jordan Center for Persian Studies; reprint Leiden: Brill).
Antonio Panaino (2023). Sirius, its Mythology and Iconography between East and West 天狼星—東西方之神話與圖像. Hong Kong : The ISF Academy Chinese Reserach Center.
Sirius, its Mythology and Iconography between East and West 天狼星—東西方之神話與圖像
Antonio Panaino
Primo
Investigation
2023
Abstract
Tištriia, corresponding to Sirius, was the most important single star of the Iranian celestial mythology This divinity was the protagonist of the myth of the liberation of the waters, in which this god fights not only against a terrestrial demon, Apaōša, who blocks the cosmic waters inside a cosmic ocean, but also against the shooting stars, more precisely the “starred-worms” (stārō.kərəmā̊), who were sent by Aŋra Mainiiu against the celestial order. In Zoroastrianism the orderly motion of the fixed stars was associated with the regular course of the natural cycle and with the autumnal return of rains, while the manifestation of shooting stars, also referred to with the name of Pairikā-s, i.e., “witches”, was considered as a clear brake of the cosmic order. The negative role played by the shooting stars was later transferred to the planetary bodies within the Zoroastrian Pahlavi literature. If Tištriia was compared with an arrow, the Vedic god Tiṣya was associated with an archer, while Sirius, in Mesopotamian astronomy, was described as an “arrow”. One can also notice that in later Egypt the god Sirius (Sōthis) seems to have been the target of the arrow shot by the goddess Sathis, while in China, the celestial Emperor shot an arrow against “the Wolf of the Heaven”, i.e., Sirius, Tīan láng;(天狼). This star is close to the quadrant of the constellation of the “Bow and the Arrow” (弧矢 Húshǐ). Thus, the Iranian iconography of the star Sirius was involved in a large net of heavenly images referring to asterisms describing an arrow and a bow. The same etymology of the name of Tištriia-, Sirius (α Canis Majoris), probably linguistically related with Vedic Tiṣya-, comes from *ti-str-ii̯a-s < *tri-str-ii̯a-s < *tri-str-ii̯o-s. This form was built on *tri-str-(o-m) “group of three stars”, i.e., to the “Orion’s Belt” (= δ ε ζ Orionis), which in Indian mythology was a special arrow called iṣus trikāṇdā, “the arrow with three knots”, shot by Tiṣya (or Rudra) against Prajāpati . Tištriia, corresponding to Sirius, was the most important single star of the Iranian celestial mythology This divinity was the protagonist of the myth of the liberation of the waters, in which this god fights not only against a terrestrial demon, Apaōša, who blocks the cosmic waters inside a cosmic ocean, but also against the shooting stars, more precisely the “starred-worms” (stārō.kərəmā̊), who were sent by Aŋra Mainiiu against the celestial order. In Zoroastrianism the orderly motion of the fixed stars was associated with the regular course of the natural cycle and with the autumnal return of rains, while the manifestation of shooting stars, also referred to with the name of Pairikā-s, i.e., “witches”, was considered as a clear brake of the cosmic order. The negative role played by the shooting stars was later transferred to the planetary bodies within the Zoroastrian Pahlavi literature. If Tištriia was compared with an arrow, the Vedic god Tiṣya was associated with an archer, while Sirius, in Mesopotamian astronomy, was described as an “arrow”. One can also notice that in later Egypt the god Sirius (Sōthis) seems to have been the target of the arrow shot by the goddess Sathis, while in China, the celestial Emperor shot an arrow against “the Wolf of the Heaven”, i.e., Sirius, Tīan láng;(天狼). This star is close to the quadrant of the constellation of the “Bow and the Arrow” (弧矢 Húshǐ). Thus, the Iranian iconography of the star Sirius was involved in a large net of heavenly images referring to asterisms describing an arrow and a bow. The same etymology of the name of Tištriia-, Sirius (α Canis Majoris), probably linguistically related with Vedic Tiṣya-, comes from *ti-str-ii̯a-s < *tri-str-ii̯a-s < *tri-str-ii̯o-s. This form was built on *tri-str-(o-m) “group of three stars”, i.e., to the “Orion’s Belt” (= δ ε ζ Orionis), which in Indian mythology was a special arrow called iṣus trikāṇdā, “the arrow with three knots”, shot by Tiṣya (or Rudra) against Prajāpati . On this subject, see: Panaino, Antonio (1990), Tištrya. I. The Avestan Hymn to Sirius (Roma; IsMEO). Panaino, Antonio (1995), Tištrya. II. The Iranian Myth of the Star Sirius (Roma, IsMEO). Panaino, Antonio (2015),’The Classification of Astral Bodies in the framework of an Historical Survey of Iranian traditions”, in Uwe Bläsing, Victoria Arakelova and Matthias Weinreich, eds., Studies on Iran and The Caucasus, Festschrift presented to Prof. Dr. Garnik S. Asatrian on the Occasion of his 60th Birthday (Leiden: Brill), 229–244. Panaino, Antonio (2016), ‘Planets,’ in Encyclopædia Iranica, online edition, available at http://www.iranicaonline.org/articles/planets (accessed on 20 September 2016). Panaino, Antonio (2019), A Walk through the Iranian Heavens. Spherical and Non-Spherical Cosmographic Models in the Imagination of Ancient Iran and Its Neighbours (Irvine: Jordan Center for Persian Studies; reprint Leiden: Brill).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.