Research on the production of Italian secular music during the sixteenth and seventeenth centuries has drawn on Emil Vogel’s invaluable Bibliothek der gedruckten weltlichen Vocalmusik Italiens, aus den Jahren 1500-1700, published in 1892. In 1977 François Lesure and Claudio Sartori, who had access to notes made by Alfred Einstein, published a new version, called Il Nuovo Vogel; this version provided updated and revised bibliographical descriptions and included the names of the authors of poetic texts (where known) and an index of first lines. The kinship between poetry and music in the madrigal of the sixteenth and seventeenth centuries is illustrated in the well-known dedicatory letter found in Luzzasco Luzzaschi’s Sesto libro di madrigali a cinque voci of 1596, written by Alessandro Guarini, Battista’s son: “Music and poetry are so similar and by their very nature conjoined that it may well be said ... that both were born at the same birth on Parnassus ... twins in expression (aria) and in appearance ...”. RePIM honors this indissoluble union between poetry and music and presents in a single information system the secular music production of the sixteenth and seventeenth centuries. It provides bibliographic descriptions of all the musical sources (printed and manuscript) as well as all the poetic sources consulted. It also provides analytical descriptions of every musical composition and related poem that has been traced in literary sources.
Interfaccia web per la consultazione dell'archivio digitale "RePIM - Repertorio della Poesia Italiana in Musica, 1500-1700". La ricerca sulla produzione italiana di musica profana dei secoli XVI e XVII ha potuto contare sin dal 1892 sulla inestimabile Bibliothek der gedruckten weltlichen Vocalmusik Italiens, aus den Jahren 1500-1700 di Emil Vogel. Nel 1977 François Lesure e Claudio Sartori, avvalendosi anche degli appunti raccolti da Alfred Einstein, ne hanno pubblicato una nuova versione, denominata Il Nuovo Vogel, aggiornata e rinnovata nella descrizione bibliografica e con la rilevante aggiunta degli autori dei testi poetici identificati e dell’indice dei capoversi verbali. La consanguineità di poesia e musica nel madrigale del Cinque-Seicento è illustrata in modo esemplare nella nota lettera dedicatoria del Sesto libro di madrigali a cinque voci di Luzzasco Luzzaschi del 1596, stilata di fatto da Alessandro Guarini, figlio di Battista: “Sono [...] la musica e la poesia tanto simili e di natura congiunte che ben può dirsi [...] ch’ambe nascessero ad un medesimo parto in Parnaso ... due gemelle nell’aria et nel sembiante ...”. RePIM sostanzia questa unione indissolubile tra poesia e musica e presenta in un unico sistema informativo la produzione di musica profana dei secoli XVI e XVII unitamente alla descrizione bibliografica di tutte le fonti musicali (a stampa e manoscritte) e delle fonti poetiche consultate, le schede di descrizione analitica di tutte le composizioni musicali e dei corrispondenti componimenti poetici rintracciati nelle fonti letterarie.
RePIM - Repertorio della Poesia Italiana in Musica. Interfaccia web per la consultazione.
Bonora P.;Pompilio A.
2021
Abstract
Research on the production of Italian secular music during the sixteenth and seventeenth centuries has drawn on Emil Vogel’s invaluable Bibliothek der gedruckten weltlichen Vocalmusik Italiens, aus den Jahren 1500-1700, published in 1892. In 1977 François Lesure and Claudio Sartori, who had access to notes made by Alfred Einstein, published a new version, called Il Nuovo Vogel; this version provided updated and revised bibliographical descriptions and included the names of the authors of poetic texts (where known) and an index of first lines. The kinship between poetry and music in the madrigal of the sixteenth and seventeenth centuries is illustrated in the well-known dedicatory letter found in Luzzasco Luzzaschi’s Sesto libro di madrigali a cinque voci of 1596, written by Alessandro Guarini, Battista’s son: “Music and poetry are so similar and by their very nature conjoined that it may well be said ... that both were born at the same birth on Parnassus ... twins in expression (aria) and in appearance ...”. RePIM honors this indissoluble union between poetry and music and presents in a single information system the secular music production of the sixteenth and seventeenth centuries. It provides bibliographic descriptions of all the musical sources (printed and manuscript) as well as all the poetic sources consulted. It also provides analytical descriptions of every musical composition and related poem that has been traced in literary sources.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
