The paper provides new insights in the analysis of Lucretius and a new interpretation of the role of Tragedy in the De rerum natura. In Lucretius’ Trojan exemplum (1.471-477) the Ilioupersis is condensed in a powerful metaphorical conceit: love fire, glowing in silence in Paris’ heart, ignites the fiery war and becomes the true fire that kindles the flames that ultimately burn Troy. This scientific (or physiological) Lucretian metaphor, as well as the lexis and the imagery in this passage, have in fact a rather neglected tragic hypotext. This tragic background though (in particular, Ennius’ Alexander and Euripides’ Trojan trilogy) proves fundamental to interpret Lucretius’ literary examples, but it also appears to be extremely revealing to fathom the role of the poetry of the De rerum natura in Virgil’s Aeneid, and especially (and somehow surprisingly) in its relationship with tragedy.
Questo lavoro apre una nuova linea di ricerca sulla funzione della tragedia nel DRN e sul ruolo di Lucrezio come filtro per l'uso virgiliano delle tragedie troiane di Euripide e di Ennio. La metodologia dell'analisi - con nuovi contributi sull'intertestualità nella poesia lucreziana e virgiliana - è delineata chiaramente all'inizio del saggio.
ZIOSI, A. (2021). L’Ilioupersis euripidea di Lucrezio (1.471-477). Bologna : Pàtron.
L’Ilioupersis euripidea di Lucrezio (1.471-477)
ZIOSI, ANTONIO
2021
Abstract
The paper provides new insights in the analysis of Lucretius and a new interpretation of the role of Tragedy in the De rerum natura. In Lucretius’ Trojan exemplum (1.471-477) the Ilioupersis is condensed in a powerful metaphorical conceit: love fire, glowing in silence in Paris’ heart, ignites the fiery war and becomes the true fire that kindles the flames that ultimately burn Troy. This scientific (or physiological) Lucretian metaphor, as well as the lexis and the imagery in this passage, have in fact a rather neglected tragic hypotext. This tragic background though (in particular, Ennius’ Alexander and Euripides’ Trojan trilogy) proves fundamental to interpret Lucretius’ literary examples, but it also appears to be extremely revealing to fathom the role of the poetry of the De rerum natura in Virgil’s Aeneid, and especially (and somehow surprisingly) in its relationship with tragedy.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.