Verso una comune forma di improvvisazione. Intelletto, Emozione, Intuizione in Law & Music

The aim of this paper is showing relationship between law and music (both performative disciplines). The main focus is on analysis and interpretation of a piece of music like a legal provision. Undoubtedly the crucial stage that prepares the work of interpretation is the elimination of technical and mechanical problems related to so-called relationship between musician and musical instrument, between jurist and legal knowledge. The “heart” of this contribution, as well as the essence of making music and legal practice is the improvisation “daughter” of study, knowledge, depth and passion (what is masterfully evoked by: "Freedom in the strictness"). Corollary and epilogue is a profound and sublime reflection on the "silence of law" and its enrichment thanks to the artistic dimension: "First the Music, then the Words".