Piedmontese (today mainly spoken in Italy and Argentina) is one of the non-standardized languages of Italy with the most highly normalized orthographies. Nonetheless, new orthographic reforms and revisions were proposed in the early 2000s, allegedly in order to reflect the habitual choices of the speech community/ies, which are fully literate, but only in Italian or in Spanish.This chapter examines the graphic choices of Piedmontese speakers with no command of the written language, when posting to Facebook groups in which the use of Piedmontese is possible and/or prescribed.The data suggests that naïve writers of Piedmontese adhere closely to Standard Italian orthographic choices when writing Piedmontese, and use a highly restricted range of allographs to represent the more distinctive phonemes in the Piedmontese sound inventory. Interestingly, these allographs generally diverge from both a strictly phonemic orthography, and the various orthographies proposed from a ‘top-down’ perspective for Piedmontese. They seem rather to be consistent with the way in which writers of other non-standardised languages of Italy naïvely represent phonemes that are not part of the Italian inventory.
Miola, E. (2021). Contested orthographies. Amsterdam : John Benjamins [10.1075/wlp.8.08mio].
Contested orthographies
Miola, Emanuele
2021
Abstract
Piedmontese (today mainly spoken in Italy and Argentina) is one of the non-standardized languages of Italy with the most highly normalized orthographies. Nonetheless, new orthographic reforms and revisions were proposed in the early 2000s, allegedly in order to reflect the habitual choices of the speech community/ies, which are fully literate, but only in Italian or in Spanish.This chapter examines the graphic choices of Piedmontese speakers with no command of the written language, when posting to Facebook groups in which the use of Piedmontese is possible and/or prescribed.The data suggests that naïve writers of Piedmontese adhere closely to Standard Italian orthographic choices when writing Piedmontese, and use a highly restricted range of allographs to represent the more distinctive phonemes in the Piedmontese sound inventory. Interestingly, these allographs generally diverge from both a strictly phonemic orthography, and the various orthographies proposed from a ‘top-down’ perspective for Piedmontese. They seem rather to be consistent with the way in which writers of other non-standardised languages of Italy naïvely represent phonemes that are not part of the Italian inventory.File | Dimensione | Formato | |
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