Deconstruction, understood both as a philosophical doctrine or concept (and hence as theory) and as practice of planning and realization, emerged during the 1970s and 1980s and rapidly disseminated in all fields of cultural, artistic and media production. After some decades since its inception, and on the basis of the persistence of deconstruction at least in some domains, we aim at assessing the situation of deconstruction in our time and at inquiring into its consequences and implications in different but nevertheless always connected fields, such as, for example, philosophy, fashion, architecture, art, design, literature and music.
Decostruzione
Stefano Marino
;Ines Tolic
2020
Abstract
Deconstruction, understood both as a philosophical doctrine or concept (and hence as theory) and as practice of planning and realization, emerged during the 1970s and 1980s and rapidly disseminated in all fields of cultural, artistic and media production. After some decades since its inception, and on the basis of the persistence of deconstruction at least in some domains, we aim at assessing the situation of deconstruction in our time and at inquiring into its consequences and implications in different but nevertheless always connected fields, such as, for example, philosophy, fashion, architecture, art, design, literature and music.File in questo prodotto:
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