Around fifty of Albinoni’s cantatas have come down to us, and except for the cantata for soprano Là dove il nobil Giano (Amsterdam, c. 1701), those belonging to the Opera quarta are his only published collection of vocal works, his remaining printed oeuvre being instrumental music.The text introduces the recording of Cantata op. 4 by Tomaso Albinoni. The introduction provides a wide contextualisation of the collection, the analysis of poetic and music texts and mentions literature on the topic.
Federico Lanzellotti (2019). «Tanto dolce è quella piaga»: Refinement and hedonism in the Cantate a voce sola opera quarta by Tomaso Albinoni. Leewvarden : Brilliant Classics.
«Tanto dolce è quella piaga»: Refinement and hedonism in the Cantate a voce sola opera quarta by Tomaso Albinoni
Federico Lanzellotti
2019
Abstract
Around fifty of Albinoni’s cantatas have come down to us, and except for the cantata for soprano Là dove il nobil Giano (Amsterdam, c. 1701), those belonging to the Opera quarta are his only published collection of vocal works, his remaining printed oeuvre being instrumental music.The text introduces the recording of Cantata op. 4 by Tomaso Albinoni. The introduction provides a wide contextualisation of the collection, the analysis of poetic and music texts and mentions literature on the topic.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
