In the last decade ivory diptychs have continued to stimulate debate among historians, art historians and archaeologists and have been protagonists of many exhibitions. These artefacts represent a very particular production that was affirmed during the Late Antiquity, remaining alive for centuries. The many problems posed by this class of materials are numerous and suggestive. Here a diptych classification is proposed based on the material and functional features.

L’avorio conteso. I dittici eburnei tra storici, archeologi e storici dell’arte

M. David
2019

Abstract

In the last decade ivory diptychs have continued to stimulate debate among historians, art historians and archaeologists and have been protagonists of many exhibitions. These artefacts represent a very particular production that was affirmed during the Late Antiquity, remaining alive for centuries. The many problems posed by this class of materials are numerous and suggestive. Here a diptych classification is proposed based on the material and functional features.
2019
Vicino Oriente. Quaderno
127
143
M. David
File in questo prodotto:
Eventuali allegati, non sono esposti

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/727072
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact