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EnglishIn the last decade ivory diptychs have continued to stimulate debate among historians, art historians and archaeologists and have been protagonists of many exhibitions. These artefacts represent a very particular production that was affirmed during the Late Antiquity, remaining alive for centuries. The many problems posed by this class of materials are numerous and suggestive. Here a diptych classification is proposed based on the material and functional features.
| Titolo: | L’avorio conteso. I dittici eburnei tra storici, archeologi e storici dell’arte | |
| Autore/i: | M. David | |
| Autore/i Unibo: | ||
| Anno: | 2019 | |
| Titolo del libro: | Vicino Oriente. Quaderno | |
| Pagina iniziale: | 127 | |
| Pagina finale: | 143 | |
| Abstract: | In the last decade ivory diptychs have continued to stimulate debate among historians, art historians and archaeologists and have been protagonists of many exhibitions. These artefacts represent a very particular production that was affirmed during the Late Antiquity, remaining alive for centuries. The many problems posed by this class of materials are numerous and suggestive. Here a diptych classification is proposed based on the material and functional features. | |
| Data stato definitivo: | 9-mar-2021 | |
| Appare nelle tipologie: | 2.01 Capitolo / saggio in libro |
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