Since its earlier modern stages, which date back to the 20th century, culture has become more and more interested in its own specificities, either medium or content-related, often recurring to extreme measures like the withdrawal of representation itself. The following is a brief history of “emptiness” in visual arts, which focuses on monochromes, voids and other iconoclastic tabulae rasae.
Tabula Rasa: A Diachronic Approach to “Emptiness” in Visual Arts
Francesco Spampinato
2015
Abstract
Since its earlier modern stages, which date back to the 20th century, culture has become more and more interested in its own specificities, either medium or content-related, often recurring to extreme measures like the withdrawal of representation itself. The following is a brief history of “emptiness” in visual arts, which focuses on monochromes, voids and other iconoclastic tabulae rasae.File in questo prodotto:
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