The relationship between Rome and Persia in the Sasanian era has attracted the attention of many scholars. Historians have devoted detailed studies to the intensified political and military contacts following Ardashir I’s accession to the throne of Iran. Most art historians and archaeologists, by contrast, have argued that cultural contacts between Rome and Sasanian Persia were only established under Shapur I. There is, however, architectural and artistic evidence to suggest that such contacts commenced in fact already during the reign of Ardashir I. As far as architecture is concerned, D. Huff has made a persuasive case that architects and masons from the eastern provinces of the Roman Empire were involved in the construction of the fire-temple in the city of Ardashir Xwarrah (Firuzabad). This chapter argues that rock reliefs also imply similar cultural influence, even though the case is more difficult to prove. The author examines the chronology of the five rock reliefs accomplished under Ardashir, as well as the workshops involved in producing them. The earliest relief, at Firuzabad I, shows traits characteristic for Elymaean craftsmen. Subsequently, new techniques and styles appear, and the relief at Naqsh-e Rostam I seems to imitate Persepolitan sculpture. Since numismatic evidence suggests that the reliefs were all carved within about ten years, only the involvement of experienced sculptors, perhaps from the Syro-Mesopotamian regions invaded by Ardashir, can explain such major and rapid change of style.

Cultural Contacts Between Rome and Persia at the Time of Ardashir I (c. AD 224–40).

Callieri Pierfrancesco
2017

Abstract

The relationship between Rome and Persia in the Sasanian era has attracted the attention of many scholars. Historians have devoted detailed studies to the intensified political and military contacts following Ardashir I’s accession to the throne of Iran. Most art historians and archaeologists, by contrast, have argued that cultural contacts between Rome and Sasanian Persia were only established under Shapur I. There is, however, architectural and artistic evidence to suggest that such contacts commenced in fact already during the reign of Ardashir I. As far as architecture is concerned, D. Huff has made a persuasive case that architects and masons from the eastern provinces of the Roman Empire were involved in the construction of the fire-temple in the city of Ardashir Xwarrah (Firuzabad). This chapter argues that rock reliefs also imply similar cultural influence, even though the case is more difficult to prove. The author examines the chronology of the five rock reliefs accomplished under Ardashir, as well as the workshops involved in producing them. The earliest relief, at Firuzabad I, shows traits characteristic for Elymaean craftsmen. Subsequently, new techniques and styles appear, and the relief at Naqsh-e Rostam I seems to imitate Persepolitan sculpture. Since numismatic evidence suggests that the reliefs were all carved within about ten years, only the involvement of experienced sculptors, perhaps from the Syro-Mesopotamian regions invaded by Ardashir, can explain such major and rapid change of style.
2017
Sasanian Persia Between Rome and the Steppes of Eurasia (Edinburgh Studies in Ancient Persia)
221
238
Callieri Pierfrancesco
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/625200
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