Special issue of the international journal “Popular Music” devoted - for the first time - to Italy and the Italian popular music., with contributions from influential scholars both Italian and strangers. It includes the follow articles: Introduction, by G. Plastino and M. Santoro; The Italian Canzone and the Sanremo Festival: change and continuity in Italian mainstream pop of the 1960s, by Roberto Agostini; Orchestral Manoeuvres in the 1970s: l’Orchestra Co-operative, 1974–1983, by Franco FabbriI; Lazzari felici: Neapolitan song and/as nostalgia, by Goffredo Plastino; Selling Italy by the sound: cross-cultural interchanges through cover records, by Paolo Prato; Authors and Rappers: Italian Hip Hop and the Shifting Boundaries of Canzone d’Autore, by Marco Santoro e Marco Solaroli; Paolo Conte: Italian ‘Arthouse Exotic’, by Tony Mitchell e Putting spanners in the works: the politics of the 99 Posse, by Tom Behan.
Special issue on Italian Popular Music
SANTORO, MARCO;
2007
Abstract
Special issue of the international journal “Popular Music” devoted - for the first time - to Italy and the Italian popular music., with contributions from influential scholars both Italian and strangers. It includes the follow articles: Introduction, by G. Plastino and M. Santoro; The Italian Canzone and the Sanremo Festival: change and continuity in Italian mainstream pop of the 1960s, by Roberto Agostini; Orchestral Manoeuvres in the 1970s: l’Orchestra Co-operative, 1974–1983, by Franco FabbriI; Lazzari felici: Neapolitan song and/as nostalgia, by Goffredo Plastino; Selling Italy by the sound: cross-cultural interchanges through cover records, by Paolo Prato; Authors and Rappers: Italian Hip Hop and the Shifting Boundaries of Canzone d’Autore, by Marco Santoro e Marco Solaroli; Paolo Conte: Italian ‘Arthouse Exotic’, by Tony Mitchell e Putting spanners in the works: the politics of the 99 Posse, by Tom Behan.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
