Vyacheslav Ivanov and Paul Valéry insisted that real pole of attraction for the adherents of Symbolism was, paradoxically, not the concept of a symbol, but aspiration to likening of poetry to music. Of course, the high status of music in the Symbolist doctrine can be explained as influence of ideas of Wagner, Nietzsche and Schopengauer. Musicality for Alexander Blok was not only a desired limit of verse technique, i.e. purely literary phenomenon. It becomes the ontological principle, satisfying the ambition of Russian symbolists to be the universal world outlook theory. Nevertheless, Belyj considered music as a very dangerous element of culture for the epistemological aims of mankind.
Muzykal'nost' kak estetičeskaja norma simvolistskoj poesii
MASLOV, GLEB
2017
Abstract
Vyacheslav Ivanov and Paul Valéry insisted that real pole of attraction for the adherents of Symbolism was, paradoxically, not the concept of a symbol, but aspiration to likening of poetry to music. Of course, the high status of music in the Symbolist doctrine can be explained as influence of ideas of Wagner, Nietzsche and Schopengauer. Musicality for Alexander Blok was not only a desired limit of verse technique, i.e. purely literary phenomenon. It becomes the ontological principle, satisfying the ambition of Russian symbolists to be the universal world outlook theory. Nevertheless, Belyj considered music as a very dangerous element of culture for the epistemological aims of mankind.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
