From 2003 to 2016, Prof. Alberto Musso has written and up-dated every year this Chapter, priorly written by Prof. Mario Fabiani. In particular, since 2003, the Chapter has analyzed the main changes in Italian Copyright Law, both from European sources - the Italian implementation of Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society (legislative decree N° 68/2003); of Directive 2001/84/EC on the resale right for the benefit of the author of an original work of art (Legislative Decree N° 118/2006); of Directive 2011/77/EU on the term of protection of copyright and certain related rights (Legislative Decree N° 22/2014); of Directive 2012/28/EU on certain permitted uses of orphan works (Legislative Decree N° 163/2014) - and from only national provisions (e.g. Articles 15, sec. 3, and 15-bis of the Italian Copyright Act on public performances of protected works in libraries, museums or cultural clubs.; the link with the Regulation of the Italian Authority on Communication about copyright protection on the net, pursuant to Article 32-bis of Legislative Decree N° 177/2005, and to Legislative Decree n° 9/2008 on audiovisual rights on sport events, etc.). These positive sources are always accompanied - also with criticism - by a wide description of case law and scholars' constructions of law and pratice of copyright and related rights in text and footnotes.

MUSSO, A., FABIANI, M. (2016). ITALY. Albany, New York : M. Bender - Lexis Nexis.

ITALY

MUSSO, ALBERTO;
2016

Abstract

From 2003 to 2016, Prof. Alberto Musso has written and up-dated every year this Chapter, priorly written by Prof. Mario Fabiani. In particular, since 2003, the Chapter has analyzed the main changes in Italian Copyright Law, both from European sources - the Italian implementation of Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society (legislative decree N° 68/2003); of Directive 2001/84/EC on the resale right for the benefit of the author of an original work of art (Legislative Decree N° 118/2006); of Directive 2011/77/EU on the term of protection of copyright and certain related rights (Legislative Decree N° 22/2014); of Directive 2012/28/EU on certain permitted uses of orphan works (Legislative Decree N° 163/2014) - and from only national provisions (e.g. Articles 15, sec. 3, and 15-bis of the Italian Copyright Act on public performances of protected works in libraries, museums or cultural clubs.; the link with the Regulation of the Italian Authority on Communication about copyright protection on the net, pursuant to Article 32-bis of Legislative Decree N° 177/2005, and to Legislative Decree n° 9/2008 on audiovisual rights on sport events, etc.). These positive sources are always accompanied - also with criticism - by a wide description of case law and scholars' constructions of law and pratice of copyright and related rights in text and footnotes.
2016
International Copyright Law and Practice
1
121
MUSSO, A., FABIANI, M. (2016). ITALY. Albany, New York : M. Bender - Lexis Nexis.
MUSSO, Alberto; FABIANI, Mario
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/592447
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