The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearly identifiable canon of taste to an unidentified aesthetics values. This shift can be interpretated by two opposite points of view: one in support of modern art, as theorized by Walter Benjamin, and the other against, as argued by Hans Sedlmayer.
The Aesthetic Categories
MILANI, RAFFAELE
2017
Abstract
The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearly identifiable canon of taste to an unidentified aesthetics values. This shift can be interpretated by two opposite points of view: one in support of modern art, as theorized by Walter Benjamin, and the other against, as argued by Hans Sedlmayer.File in questo prodotto:
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