The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearly identifiable canon of taste to an unidentified aesthetics values. This shift can be interpretated by two opposite points of view: one in support of modern art, as theorized by Walter Benjamin, and the other against, as argued by Hans Sedlmayer.
Titolo: | The Aesthetic Categories | |
Autore/i: | MILANI, RAFFAELE | |
Autore/i Unibo: | ||
Anno: | 2017 | |
Serie: | ||
Titolo del libro: | How to learn? Nippon\Japan as an object, Nippon\Japan as method | |
Pagina iniziale: | 63 | |
Pagina finale: | 72 | |
Abstract: | The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearly identifiable canon of taste to an unidentified aesthetics values. This shift can be interpretated by two opposite points of view: one in support of modern art, as theorized by Walter Benjamin, and the other against, as argued by Hans Sedlmayer. | |
Data stato definitivo: | 22-mag-2017 | |
Appare nelle tipologie: | 2.01 Capitolo / saggio in libro |
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