The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearly identifiable canon of taste to an unidentified aesthetics values. This shift can be interpretated by two opposite points of view: one in support of modern art, as theorized by Walter Benjamin, and the other against, as argued by Hans Sedlmayer.
Milani, R. (2017). The Aesthetic Categories. Milan : Mimesis.
The Aesthetic Categories
MILANI, RAFFAELE
2017
Abstract
The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearly identifiable canon of taste to an unidentified aesthetics values. This shift can be interpretated by two opposite points of view: one in support of modern art, as theorized by Walter Benjamin, and the other against, as argued by Hans Sedlmayer.File in questo prodotto:
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