A Daimon Roams the Landscapes

From a study of some aesthetic and artistic categories from the Enlightment and Romanticism, the sublime, the picturesque, the neo-gotics, the romantic, and then symbolism, etc., emerge different vision of the world, proposed by philosophers, scientists, artists, and writers, occasionally in a nostalgic vein. This atlas of images presents nature as an absolute and the landscapes as a reality and as rapresentation of human work. We find impression, observation, and definitions, which are useful in depicting nature and the lanscape as a great achievements of art and thought. Throughout various versions of Futurism and Deconstruction, all this is tangible in the culture of landscapists. It is part of their inquisitive soul, irrespective of the work they perform, be it perspective, designing, architectural, agronomic, or humanistic.