CRIS Current Research Information System
IRIS è la soluzione IT che facilita la raccolta e la gestione dei dati relativi alle attività e ai prodotti della ricerca. Fornisce a ricercatori, amministratori e valutatori gli strumenti per monitorare i risultati della ricerca, aumentarne la visibilità e allocare in modo efficace le risorse disponibili.
EnglishA Counter-History of Crime Fiction takes a new look at the evolution of crime fiction, drawing on material from the Middle Ages up to the early twentieth century, when the genre was theoretically defined as detective fiction. Considering 'criminography' as a system of inter-related, even incestuous, sub-genres, the volume explores the connections between modes of literature such as revenge tragedies and providential fictions, the gothic and the ghost story, urban mysteries and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology. The result is a fascinating inquiry into the nature of a genre whose formulaic nature has not prevented imaginative, not to say heretical, variations on the themes of crime and detection. Contents Acknowledgements Introduction Revising the Canon of Crime and Detection PART I: SUPERNATURAL AND GOTHIC Detection Before Detection Persecution and Omniscience Victorian Ghosts and Revengers Pseudo-Sciences and the Occult PART II: SENSATIONAL The Language of Auguste Dupin On the Sensational in Literature London as a 'Heart of Darkness' The Rhetoric of Atavism and Degeneration The Age of Formula Fiction Bibliography Index
| Titolo: | A Counter-History of Crime Fiction: Supernatural, Gothic, Sensational | |
| Autore/i: | ASCARI, MAURIZIO | |
| Autore/i Unibo: | ||
| Anno: | 2007 | |
| Numero di pagine: | 238 | |
| ISBN: | 0333714717 | |
| Abstract: | A Counter-History of Crime Fiction takes a new look at the evolution of crime fiction, drawing on material from the Middle Ages up to the early twentieth century, when the genre was theoretically defined as detective fiction. Considering 'criminography' as a system of inter-related, even incestuous, sub-genres, the volume explores the connections between modes of literature such as revenge tragedies and providential fictions, the gothic and the ghost story, urban mysteries and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology. The result is a fascinating inquiry into the nature of a genre whose formulaic nature has not prevented imaginative, not to say heretical, variations on the themes of crime and detection. Contents Acknowledgements Introduction Revising the Canon of Crime and Detection PART I: SUPERNATURAL AND GOTHIC Detection Before Detection Persecution and Omniscience Victorian Ghosts and Revengers Pseudo-Sciences and the Occult PART II: SENSATIONAL The Language of Auguste Dupin On the Sensational in Literature London as a 'Heart of Darkness' The Rhetoric of Atavism and Degeneration The Age of Formula Fiction Bibliography Index | |
| Data prodotto definitivo in UGOV: | 12-set-2007 | |
| Appare nelle tipologie: | 3.01 Monografia / trattato scientifico in forma di libro |
File in questo prodotto:
Copyright © 2021