This chapter has two distinct aims: one is to discuss the kind of behaviours possibly underlying the process of recognizing a musical style; the second is to discover whether specific aspects of creativity can be observed during this process and how they are manifested. The chapter is divided into three main parts: the first is devoted to defining what is meant by “style” and “recognizing a musical style”; the second tries to pinpoint which of the numerous concepts of creativity might be applicable to the situation outlined in this chapter; the third part describes and comments on an empirical study that involved 13 subjects in a task of recognizing a particular example of musical style. Some general remarks on music listening are given at the end.
Titolo: | Hearing musical style: Cognitive and creative problems, |
Autore/i: | BARONI, MARIO |
Autore/i Unibo: | |
Anno: | 2006 |
Titolo del libro: | Musical creativity. Multidisciplinary research in theory and practice |
Pagina iniziale: | 78 |
Pagina finale: | 93 |
Abstract: | This chapter has two distinct aims: one is to discuss the kind of behaviours possibly underlying the process of recognizing a musical style; the second is to discover whether specific aspects of creativity can be observed during this process and how they are manifested. The chapter is divided into three main parts: the first is devoted to defining what is meant by “style” and “recognizing a musical style”; the second tries to pinpoint which of the numerous concepts of creativity might be applicable to the situation outlined in this chapter; the third part describes and comments on an empirical study that involved 13 subjects in a task of recognizing a particular example of musical style. Some general remarks on music listening are given at the end. |
Data prodotto definitivo in UGOV: | 5-feb-2007 |
Appare nelle tipologie: | 2.01 Capitolo / saggio in libro |