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EnglishThis book is the first comprehensive history – in the West and in Russia alike – of literary criticism in the Soviet age. Although this history is the work of several distinguished scholars, it is not a volume collecting heterogeneous articles, but rather a collective monograph based on a well thought-through plan. Our part, written in collaboration with S. Garzonio, (The first two sections are by Garzonio; sections 3-7 are by Zalambani, as written in the notes) opens the book and concerns the following points: • War Communism – Civil War – Intelligentsia and the Revolution • Criticism and Periodicals of the Left Socialist Revolutionaries. Criticism and Periodicals of the Right Socialist Revolutionaries. “The Scythians” Group. The Acmeists. The Imagists • The Futurists (“The Art of the Commune”) • A “Silver Age” or “Literary Collapse”? Plekhanov, Lenin, Vorovsky, Ol’minsky, Trotzky and the Marxist tradition • Proletcult. “Positive Aesthetics” (Bogdanov, Lunacharsky, Gor’ky); • The institutions of criticism in the Civil War. Their place in the genesis of the institutions of censorship and the rise of Soviet literary periodicals • Attitudes to the classic and to the current literary process
| Titolo: | Literary Critisism during the Revolution and the Civil War (1917-1921). | |
| Autore/i: | ZALAMBANI, MARIA; S. Garzonio | |
| Autore/i Unibo: | ||
| Anno: | 2011 | |
| Titolo del libro: | A History of Russian Literary Theory and Criticism. The Soviet Age and Beyond | |
| Pagina iniziale: | 1 | |
| Pagina finale: | 16 | |
| Abstract: | This book is the first comprehensive history – in the West and in Russia alike – of literary criticism in the Soviet age. Although this history is the work of several distinguished scholars, it is not a volume collecting heterogeneous articles, but rather a collective monograph based on a well thought-through plan. Our part, written in collaboration with S. Garzonio, (The first two sections are by Garzonio; sections 3-7 are by Zalambani, as written in the notes) opens the book and concerns the following points: • War Communism – Civil War – Intelligentsia and the Revolution • Criticism and Periodicals of the Left Socialist Revolutionaries. Criticism and Periodicals of the Right Socialist Revolutionaries. “The Scythians” Group. The Acmeists. The Imagists • The Futurists (“The Art of the Commune”) • A “Silver Age” or “Literary Collapse”? Plekhanov, Lenin, Vorovsky, Ol’minsky, Trotzky and the Marxist tradition • Proletcult. “Positive Aesthetics” (Bogdanov, Lunacharsky, Gor’ky); • The institutions of criticism in the Civil War. Their place in the genesis of the institutions of censorship and the rise of Soviet literary periodicals • Attitudes to the classic and to the current literary process | |
| Data prodotto definitivo in UGOV: | 17-giu-2013 | |
| Data stato definitivo: | 22-giu-2016 | |
| Appare nelle tipologie: | 2.01 Capitolo / saggio in libro |
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