This review of "April" is focused on the transitional character of Nanni Moretti's film, by pointing out in which way it encompasses the opposite (and traditional) themes, as well as textual modes, of Moretti's cinema: documentary and fiction, "impegno" and musical, political commitment and private life.
P. Noto (2011). April. BRISTOL : Intellect.
April
NOTO, PAOLO
2011
Abstract
This review of "April" is focused on the transitional character of Nanni Moretti's film, by pointing out in which way it encompasses the opposite (and traditional) themes, as well as textual modes, of Moretti's cinema: documentary and fiction, "impegno" and musical, political commitment and private life.File in questo prodotto:
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