This review of "April" is focused on the transitional character of Nanni Moretti's film, by pointing out in which way it encompasses the opposite (and traditional) themes, as well as textual modes, of Moretti's cinema: documentary and fiction, "impegno" and musical, political commitment and private life.

April

NOTO, PAOLO
2011

Abstract

This review of "April" is focused on the transitional character of Nanni Moretti's film, by pointing out in which way it encompasses the opposite (and traditional) themes, as well as textual modes, of Moretti's cinema: documentary and fiction, "impegno" and musical, political commitment and private life.
Directory of World Cinema. Italy.
257
258
P. Noto
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/105275
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