The essay situates "Le infedeli" (Monicelli e Steno, 1952) within the broad area of Italian post-war melodramas. By analyzing its most relevant textual features the film is proposed as an emblematic case of the "highbrow" side of the genre (the same as Cottafavi's "Traviata '53" or Antonioni's "Le amiche"), whose importance has usually been neglected in comparison to the more renowned popular dramas.
The Unfaithfuls / P. Noto. - STAMPA. - (2011), pp. 102-103.
The Unfaithfuls
NOTO, PAOLO
2011
Abstract
The essay situates "Le infedeli" (Monicelli e Steno, 1952) within the broad area of Italian post-war melodramas. By analyzing its most relevant textual features the film is proposed as an emblematic case of the "highbrow" side of the genre (the same as Cottafavi's "Traviata '53" or Antonioni's "Le amiche"), whose importance has usually been neglected in comparison to the more renowned popular dramas.File in questo prodotto:
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