本文旨在介绍 2023 年 10 月 12 日至 11 月 5 日在意大利 博洛尼亚国际音乐博物馆及图书馆举办的“水墨的声音 ：洛 齐与书法主义 30 年”展览的主要理念和艺术作品。引言简要 阐明了此次展览所探索的两种艺术形式—书法和音乐的主要 特点。在简要介绍音乐对洛齐艺术创作的影响之后，本文详细 分析了展览中展出的三个系列作品。作品的选择标准有 ：跨媒 介性（指作品是否以不同媒介为依托，特别是书法和音乐，也 包括绘画和诗歌）、与主办地的相关性、创新性（在传统构图、内容、材料、概念和技术方面）、书法本性（书法成分是否占 主导地位）、时代性（2017 年到 2023 年间）和代表性（是否 代表书法主义潮流）。基于艺术评论（也包括中文的艺术评论） 以及与艺术家的当面交流，本文从三个层面对所选作品进行了 分析 ：1）风格形式分析 ；2）文本 / 内容分析（使用语言学和 文献学方法）；3）回顾作品的创作过程和展览的历程。最后， 文章简要介绍了“书法主义”运动及其对当代艺术的影响。
This essay aims at describing the main concept and the artworks of the exhibition “Sounds of Ink - Luo Qi and 30 Years of Calligraphyism”, that was held from October 12 to November 5, 2023 at the International Museum and Library of Music in Bologna (Italy). In the introduction, the main characteristics that link calligraphy and music – the two arts explored in the exhibition, are outlined. Then, after a brief overview on the influence of music on Luo Qi’s artistic production, the three series displayed in the exhibition are analysed in detail. These artworks were selected on the basis of the following criteria: crossmediality (participation in different media, in particular calligraphy and music but also painting and poetry), relevance with the host location, innovation (in relation to traditional compositional arrangement, content, materials, concept, and technique), calligraphic vocation (predominance of calligraphic component/s), recency (from 2017 to 2023), and representativeness (artworks representative of the current of Calligraphyism). Based on art criticism (also in the Sinophone sphere) and direct confrontation with the artist, the selected artworks are described using three levels of analysis: 1) stylistic-formal analysis; 2) analysis of texts/content (using linguistic and philological approach); 3) reconstruction of creative process and exhibition history. The article ends with a brief explanation of the “Calligraphysism” movement and its main bibliographic material (on display).
Iezzi, A. (2026). On “Sounds of Ink: Luo Qi and 30 Years of Calligraphyism” Exhibition. A Journey through Eight Thousand Verses,Silent Melodies and Sound Images/ “水墨的声音：洛齐与书法主义30 年”展览。在《八千颂歌》、《无声之歌》和《声音的图像》之间漫步. Bologna : Bologna University Press.
On “Sounds of Ink: Luo Qi and 30 Years of Calligraphyism” Exhibition. A Journey through Eight Thousand Verses,Silent Melodies and Sound Images/ “水墨的声音：洛齐与书法主义30 年”展览。在《八千颂歌》、《无声之歌》和《声音的图像》之间漫步
Iezzi, Adriana
2026
Abstract
This essay aims at describing the main concept and the artworks of the exhibition “Sounds of Ink - Luo Qi and 30 Years of Calligraphyism”, that was held from October 12 to November 5, 2023 at the International Museum and Library of Music in Bologna (Italy). In the introduction, the main characteristics that link calligraphy and music – the two arts explored in the exhibition, are outlined. Then, after a brief overview on the influence of music on Luo Qi’s artistic production, the three series displayed in the exhibition are analysed in detail. These artworks were selected on the basis of the following criteria: crossmediality (participation in different media, in particular calligraphy and music but also painting and poetry), relevance with the host location, innovation (in relation to traditional compositional arrangement, content, materials, concept, and technique), calligraphic vocation (predominance of calligraphic component/s), recency (from 2017 to 2023), and representativeness (artworks representative of the current of Calligraphyism). Based on art criticism (also in the Sinophone sphere) and direct confrontation with the artist, the selected artworks are described using three levels of analysis: 1) stylistic-formal analysis; 2) analysis of texts/content (using linguistic and philological approach); 3) reconstruction of creative process and exhibition history. The article ends with a brief explanation of the “Calligraphysism” movement and its main bibliographic material (on display).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
