In a deeply hostile social context, Ward portrays a humanity constantly on the brink of survival and manages to give voice to a memory that remains “alive” despite everything. The result is a choral novel, endowed with extraordinary lyrical power but no less anchored in the US present, which connects the despair of the living with the desolation of the ghosts of the past and, above all, the stories of individuals with the history of the country.

Patrizi, C. (2019). "'A Moth-Eaten Shirt': Memory and Identity in Jesmyn Ward's Sing, Unburied, Sing”. Venezia : Supernova.

"'A Moth-Eaten Shirt': Memory and Identity in Jesmyn Ward's Sing, Unburied, Sing”

chiara patrizi
2019

Abstract

In a deeply hostile social context, Ward portrays a humanity constantly on the brink of survival and manages to give voice to a memory that remains “alive” despite everything. The result is a choral novel, endowed with extraordinary lyrical power but no less anchored in the US present, which connects the despair of the living with the desolation of the ghosts of the past and, above all, the stories of individuals with the history of the country.
2019
La scrittura e il confine. Testi in onore di Daniela Ciani Forza
125
134
Patrizi, C. (2019). "'A Moth-Eaten Shirt': Memory and Identity in Jesmyn Ward's Sing, Unburied, Sing”. Venezia : Supernova.
Patrizi, Chiara
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/1050573
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