This study demonstrates that the form of representation of the gaze emerged during early cinema period comes from iconographic and theatrical practices that preceded the advent of motion pictures and emerges into cinema as a form of artificial optics presented as spectacle. It also unravels the difference between a point-of-view shot and a character’s subjective viewpoint.
Dagrada, E. (2008). Las transformaciones de la mirada en los orígenes del cine y el nacimiento de la subjetividad. Girona : Fundacio Museu del Cinema-Colleccio Tomas Mallol.
Las transformaciones de la mirada en los orígenes del cine y el nacimiento de la subjetividad
E. Dagrada
2008
Abstract
This study demonstrates that the form of representation of the gaze emerged during early cinema period comes from iconographic and theatrical practices that preceded the advent of motion pictures and emerges into cinema as a form of artificial optics presented as spectacle. It also unravels the difference between a point-of-view shot and a character’s subjective viewpoint.File in questo prodotto:
Eventuali allegati, non sono esposti
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
